This article aims to critically reconstruct the main methods and perspectives of audiovisual representation - expressed through the peculiar dynamics of digital communication - which emerged during the world crisis triggered by the Covid-19 emergency. Particulary, by analyzing the projects and forms of participatory audiovisual communication and documentation promoted on an international scale by private and public cultural institutions.
Questo articolo mira a ricostruire criticamente le principali modalità e prospettive di rappresentazione audiovisiva - espressi attraverso le peculiari dinamiche della comunicazione digitale - emerse durante la crisi mondiale innescata dall’emergenza del Covid-19. In modo particolare, analizzando i progetti e le forme di comunicazione e documentazione audiovisiva partecipativa promossi su scala internazionale da istituzioni culturali private e pubbliche.
Intorno alle rappresentazioni della crisi. Pratiche audiovisive partecipative al tempo del COVID-19
Latini G
2020-01-01
Abstract
This article aims to critically reconstruct the main methods and perspectives of audiovisual representation - expressed through the peculiar dynamics of digital communication - which emerged during the world crisis triggered by the Covid-19 emergency. Particulary, by analyzing the projects and forms of participatory audiovisual communication and documentation promoted on an international scale by private and public cultural institutions.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
