Audissino, Emilio
 Distribuzione geografica
Continente #
AS - Asia 129
EU - Europa 96
SA - Sud America 57
NA - Nord America 56
AF - Africa 1
Totale 339
Nazione #
SG - Singapore 115
US - Stati Uniti d'America 49
RU - Federazione Russa 48
BR - Brasile 46
IT - Italia 25
AT - Austria 6
MX - Messico 5
GB - Regno Unito 4
HK - Hong Kong 4
NL - Olanda 4
PE - Perù 4
CL - Cile 3
DE - Germania 3
SE - Svezia 3
BD - Bangladesh 2
CA - Canada 2
IN - India 2
TR - Turchia 2
UA - Ucraina 2
AR - Argentina 1
BG - Bulgaria 1
EC - Ecuador 1
EG - Egitto 1
GE - Georgia 1
JO - Giordania 1
PY - Paraguay 1
UZ - Uzbekistan 1
VE - Venezuela 1
VN - Vietnam 1
Totale 339
Città #
Singapore 70
Ashburn 24
Milan 9
Moscow 7
Mexico City 5
Hong Kong 4
Rome 4
Ventanilla 4
Nuremberg 3
Quilicura 3
Santa Clara 3
São Paulo 3
Vaxjo 3
Curitiba 2
Fortaleza 2
Novara 2
Santa Luzia 2
St Petersburg 2
Vienna 2
Alexandria 1
Amman 1
Amsterdam 1
Aracaju 1
Arraial do Cabo 1
Atlanta 1
Barquisimeto 1
Bauru 1
Belo Horizonte 1
Belo Jardim 1
Boa Vista 1
Brampton 1
Carapicuíba 1
Caxias do Sul 1
Chittagong 1
Columbia 1
Criciúma 1
Feira de Santana 1
Florence 1
Franco da Rocha 1
Gatchina 1
Grand Bourg 1
Guaratuba 1
Hull 1
Istanbul 1
Itapecerica da Serra 1
Itapetinga 1
Ivinhema 1
Jalandhar 1
Jaraguá do Sul 1
Jequié 1
Jundiaí 1
Katueté 1
Kayseri 1
Kryvyi Rih 1
Lauro de Freitas 1
London 1
Macarani 1
Maidstone 1
Marília 1
Meridian 1
Niterói 1
North Wilkesboro 1
Novosibirsk 1
Odesa 1
Olímpia 1
Omsk 1
Padua 1
Paraguaçu Paulista 1
Pascagoula 1
Poplar 1
Princesa Isabel 1
Pune 1
Quito 1
Recife 1
Remígio 1
Ribeirão Preto 1
Saint John 1
Saint Paul 1
Saint Robert 1
Salvador 1
Santa Cruz do Capibaribe 1
Senoia 1
Serra 1
Sofia 1
São Carlos 1
Tashkent 1
Tbilisi 1
Três Marias 1
Turvo 1
Tây Ninh 1
Ubatuba 1
Valinhos 1
Valparaíso de Goiás 1
Waldorf 1
Yekaterinburg 1
Totale 230
Nome #
Cinema Changes: Incorporations of Jazz in the Film Soundtrack 16
Italian Doppiaggio. Dubbing in Italy: Some Notes and (In)famous examples 15
Gottfried Huppertz's Metropolis. The Acme of "Cinema Music" 12
The Film Music of John Williams. Reviving Hollywood's Classical Style 12
Film/Music Analysis. A Film Studies Approach 12
Inizio e fine della musica “classica” di Hollywood 12
Golden Age 2.0: John Williams and the Revival of the Symphonic Film Score 11
John Williams's Film Music. “Jaws”, “Star Wars”, “Raiders of the Lost Ark” and the Return of the Classical Hollywood Music Style 11
L'infanzia nel cinema di Steven Spielberg 11
Film Music in Concert. The Pioneering Role of the Boston Pops Orchestra 11
Motion Pictures 11
The Palgrave Handbook of Music in Comedy Cinema 11
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films 10
Overruling a Romantic Prejudice. Forms and Formats of Film Music in Concert Programs 10
Hollywood Film Music and Ethnic Diversity 10
Metropolis, una storia infinita 10
The Aesthetic Cost of Marketing. The Economical Motivation of Pop Songs in Films 10
A Gestalt Approach to the Analysis of Music in Film 9
From Dionysia to Hollywood: An Introduction to Comedy’s Long (and Bumpy) Road 9
La lunga stagione dei vampiri 9
Canonizing John Williams 9
John Williams, Star Wars and the Canonization of Hollywood Film Music 9
Due note di credibilità. John Williams e “Lo squalo” 9
Police Squad!. The Zucker-Abrahams-Zucker Style VS the Substance of Traditional Television 8
Archival Research and the Study of the Concert Presentations of Film Music. The Case of John Williams and the Boston Pops Orchestra 8
Film Music and Multimedia: An Immersive Experience and a Throwback to the Past 8
A Matter of Form, Style, and Monsters. A Comparative Analysis of Reazione a catena and Friday the 13th 8
Dubbing as a Formal Interference. Reflections and Examples 8
John Williams, The Boston Pops Orchestra and Film Music in Concert 7
From Separation to Integration. Strengths and Weaknesses of Sound-design Film Music 7
John Williams 7
John Williams. Music for Films, Television, and the Concert Stage 7
“Se l'avventura ha un nome, questo dev'essere John Williams.” Le musiche di “Tintin” 6
The Function of Mickey-Mousing. A Re-assessment 6
The Sound of Madness and Horror. Music and Multiple Authorship in Profondo Rosso 6
John Williams and Contemporary Film Music 6
New Hollywood's “Zany Godards”: A “Shirley” Serious Assessment of Zucker-Abrahams-Zucker 6
Irony, Comic, and Humorous Touches. The Comedic Sides of John Williams 6
Introduction. John Williams, Composer 6
The ReZort (2015): Zombies, Refugees, and B-Protocols 5
Rediscovering a Film; Revisiting a Film; Damaging a Film. A Musical Comparison of Three DVD Editions of Nosferatu 5
“The Shark Is not Working” – but the Music Is. Scoring a Hit with Jaws 5
The Final Girls (2015) as a Video Essay: A Metalinguistic Play with Genre and Gender Conventions 4
The Multiform Identity of Jazz in Hollywood 3
“Behold the Newest Technological Sensation! With Music!”. The Use of Music in the Silent Cinema 3
“Commutation Tricks” and “Forced Marriages”. The Manipulation of the Soundtrack as a Tool for Film/Music Analysis 2
The Ah, Ha, Ha! Moment: A Gestalt Perspective on Audiovisual Humour 2
Totale 388
Categoria #
all - tutte 3.018
article - articoli 0
book - libri 0
conference - conferenze 0
curatela - curatele 0
other - altro 0
patent - brevetti 0
selected - selezionate 0
volume - volumi 0
Totale 3.018


Totale Lug Ago Sett Ott Nov Dic Gen Feb Mar Apr Mag Giu
2024/2025388 0 0 0 0 0 69 18 31 68 25 137 40
Totale 388