Audissino, Emilio
Audissino, Emilio
Scienze umane e sociali
A Gestalt Approach to the Analysis of Music in Film
2017-01-01 Audissino, E
A Matter of Form, Style, and Monsters. A Comparative Analysis of Reazione a catena and Friday the 13th
2020-01-01 Audissino, E
Archival Research and the Study of the Concert Presentations of Film Music. The Case of John Williams and the Boston Pops Orchestra
2013-01-01 Audissino, E
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films
2014-01-01 Audissino, E
Canonizing John Williams
2024-01-01 Audissino, Emilio
Dubbing as a Formal Interference. Reflections and Examples
2014-01-01 Audissino, E
Due note di credibilità. John Williams e “Lo squalo”
2015-01-01 Audissino, E
Film Music and Multimedia: An Immersive Experience and a Throwback to the Past
2014-01-01 Audissino, E
Film Music in Concert. The Pioneering Role of the Boston Pops Orchestra
2021-01-01 Audissino, E
Film/Music Analysis. A Film Studies Approach
2017-01-01 Audissino, E
From Dionysia to Hollywood: An Introduction to Comedy’s Long (and Bumpy) Road
2023-01-01 Audissino, E
From Separation to Integration. Strengths and Weaknesses of Sound-design Film Music
2022-01-01 Audissino, E
Golden Age 2.0: John Williams and the Revival of the Symphonic Film Score
2014-01-01 Audissino, E
Gottfried Huppertz's Metropolis. The Acme of "Cinema Music"
2016-01-01 Audissino, E
Hollywood Film Music and Ethnic Diversity
2013-01-01 Audissino, E
Inizio e fine della musica “classica” di Hollywood
2024-01-01 Audissino, E
Introduction. John Williams, Composer
2018-01-01 Audissino, E
Irony, Comic, and Humorous Touches. The Comedic Sides of John Williams
2023-01-01 Audissino, E; Huvet, C
Italian Doppiaggio. Dubbing in Italy: Some Notes and (In)famous examples
2012-01-01 Audissino, E
John Williams
2023-01-01 Audissino, E