Sfoglia per Autore Audissino, Emilio
Metropolis, una storia infinita
2010-01-01 Audissino, E
L'infanzia nel cinema di Steven Spielberg
2010-01-01 Audissino, E
La lunga stagione dei vampiri
2010-01-01 Audissino, E
John Williams, Star Wars and the Canonization of Hollywood Film Music
2011-01-01 Audissino, E
“Se l'avventura ha un nome, questo dev'essere John Williams.” Le musiche di “Tintin”
2011-01-01 Audissino, E
John Williams, The Boston Pops Orchestra and Film Music in Concert
2012-01-01 Audissino, E
Italian Doppiaggio. Dubbing in Italy: Some Notes and (In)famous examples
2012-01-01 Audissino, E
Motion Pictures
2013-01-01 Audissino, E
The Aesthetic Cost of Marketing. The Economical Motivation of Pop Songs in Films
2013-01-01 Audissino, E
Archival Research and the Study of the Concert Presentations of Film Music. The Case of John Williams and the Boston Pops Orchestra
2013-01-01 Audissino, E
Hollywood Film Music and Ethnic Diversity
2013-01-01 Audissino, E
Film Music and Multimedia: An Immersive Experience and a Throwback to the Past
2014-01-01 Audissino, E
Bicycles, Airplanes and Peter Pans: Flying Scenes in Steven Spielberg's Films
2014-01-01 Audissino, E
Overruling a Romantic Prejudice. Forms and Formats of Film Music in Concert Programs
2014-01-01 Audissino, E
Golden Age 2.0: John Williams and the Revival of the Symphonic Film Score
2014-01-01 Audissino, E
John Williams's Film Music. “Jaws”, “Star Wars”, “Raiders of the Lost Ark” and the Return of the Classical Hollywood Music Style
2014-01-01 Audissino, E
Dubbing as a Formal Interference. Reflections and Examples
2014-01-01 Audissino, E
Due note di credibilità. John Williams e “Lo squalo”
2015-01-01 Audissino, E
Gottfried Huppertz's Metropolis. The Acme of "Cinema Music"
2016-01-01 Audissino, E
John Williams and Contemporary Film Music
2017-01-01 Audissino, E
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